Category: Rock
Quilt – +5 To Strength (2012)
1. Twas A Dream, 01:59
2. Charging, 03:47
3. Rising, 04:15
4. Oppose The Gates, 01:03
5. Fortunate Assembly, 04:20
6. Forest, 01:33
7. Ramkeizer, 03:29
8. Confrontation, 04:15
9. The Granzz, 03:28
10. Soon To Be, 01:00
11. Apotheosis, 03:55
12. Trek To The Heart, 04:59
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Sherbet – Photoplay (1977)
Band Sherbet
Info: Photoplay
Style: Soft Rock
Years: 1977
Info: CBR 320 kbs
Info: 88.43 Mb
Info: Australia
Tracklist:
01 – High Rollin.
02 – Magazine Madonna.
03 – Midsummer Madness.
04 – What Do You Do.
05 – I Got Love.
06 – Still In Love With You.
07 – Love Is Fine.
08 – Let Me Flow.
09 – The Way I Am.
10 – It’s A Game.
Rip By: Phuphllode58
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FILTHY CHEATERS – WAKE THE DEAD (2011)
Track List:
01. Wake The Dead
02. C’mon MF
03. Total Death
04. Evil Machine
05. Meathead
06. Formaldehyde
07. Women I Don’t Know
08. Maximum Destruction
09. 49/51
10. Keep The Change
11. Thunder Road
12. Liquor, Pussy, & Rock N’ Roll
13. Peckerwood
14. Cretin Hop
Band:
Johnny T – vocals and guitar
Chris Chunk – guitar and backing vocals
Jamey Coffin – bass and vocals
Sean O’Really? – drums
Production:
Mixed by Jason Rich, Johnny T and Jamey Coffin.
Review:
I wanted to like this CD, I really did, as everything about it looked promising. The band name for one is great, and the album artwork hinted that something special would be contained within. And there is nothing wrong with being Nashville Pussy copycats, but Wake The Dead is a case of horrible production making an album damn near unlistenable.
As hard as I tried to give the Filthy Cheaters the benefit of the doubt on their independent debut offering, the muddy production values and amateurish songwriting abilities made this a tough one to get all the way through. The drum sound has no depth at all so it’s like listening to someone pound away on garbage can lids, meanwhile the guitar work is completely drowned out. Adding to the problems is singer/guitarist Johnny T who sneers his way through each song, 14 of them to be exact, all of which are played with the same reckless abandon and thus become interchangeable.
The only track that differentiates itself from the others is “Women I Don’t Know”, which could be mistaken for an early American Dog outtake. But it doesn’t take long for the Minneapolis, Minnesota natives to get sucked into the same old rut on the following number “Maximum Destruction” — a rut they doggedly follow until the bitter, and welcome, end.
Caught somewhere between sleaze and punk, the Filthy Cheaters come across as a one trick pony, unable to offer anything other than full-speed ahead rock. Perhaps they are true punks and wanted this DIY sound, but with zero tempo changes this entire disc sounds like it keeps skipping after the first song. I honestly couldn’t tell one track from the next, and by the end if the CD I no longer gave a damn. Sorry guys, despite the cool band name and fancy album artwork one key ingredient is missing — listenable songs!
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John Fischer – Dark Horse (1982)
Band John Fischer
Info: Dark Horse
Style: Pop Rock / CCM
Years: 1982
Info: CBR 256 kbs
Info: 62.06 Mb
Info: USA
Tracklist:
01 – Dark Horse.
02 – Beggar.
03 – Only A Few.
04 – Fallin’ In Love.
05 – Christopher’s Toes.
06 – Nobody Wants To Die.
07 – Losin’ Is Winnin’.
08 – Roses On Wednesday.
09 – Lookin’ Straight On.
10 – Leavin’ It All To You.
Rip By: FilesTube
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JW-Jones – Seventh Hour (2012)
JW plays in the tradition of blues greats like Albert Collins, Lonnie Mack, Ronnie Earl, and Jimmie Vaughan. He can rock, too, although rock/blues is not his thing. JW wrote most of the tunes on this new album. Roy Orbison and Little Milton are listed as the authors of the two remainders. There’s a new twist to JW’s music on ‘Seventh Hour’. Without ever sounding old-fashioned or even outdated, JW is mixing his blues roots with rock guitar sounds from the 1960s. Also, no guests on this album, which is rather surprising. On previous releases, Kim Wilson, Hubert Sumlin, Little Charlie, Junior Watson and Canadian blues/rock star, Colin James have been sitting in. This set of songs was recorded at JW’s home with his regular band. The results are a compact sounding set of great tunes, opening a new chapter in the musical journey of a promising young blues man.
While keeping one foot firmly planted in the roots he came from, he’s crossing boundaries making his music compatible to a younger generation of music fans.
He believes that “appealing to a younger audience is the most important way to ensure the evolution of blues-based music.” JW is well on his way!
Band JW-Jones
Info: Seventh Hour
Years: 2012
Style: Blues Rock
Info: MP3 CBR 256 kbps
Info: Canada
Time: Solid Blues Records
????? Tracklist: 36:48
Info: 84 Mb
Tracklist:
1. Ain’t Gonna Beg
2. Let It Go
3. In a Song
4. You Got Caught
5. All Over Again
6. Heartbreaker
7. Do For You
8. I’m Tryin
9. What Is Real
10. So Long I’m Gone
JW-JONES – guitar, vocals
JESSE WHITELEY – Hammond, piano
MARC DECHO – upright & Gibson bass
JEFF ASSELIN – drums.
Special guests:
JAMES ROOKER – electric bass on #9
JEREMY WAKEFIELD – steel guitar on #6 & #10
STEVE DAWSON – National tricone on #9
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Steven Soles – Walk By Love (1982)
Band Steven Soles
Info: Walk By Love
Style: CCM
Years: 1982
Info: CBR 320 kbs
Info: 83.41 Mb
Info: USA
Tracklist:
01 – Walk By Love.
02 – Shepherd Of The Valley.
03 – The Last Round Up.
04 – Joy In All.
05 – The Talents.
06 – Let Him In.
07 – Standing In His Power.
08 – Love Come To You.
09 – Light Of Kights.
10 – Walk By Love (Reprise).
Rip By: JohnnyMari
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Joan Osborne – Bring It On Home (2012)
Band Joan Osborne
Info: Bring It On Home
Years: 2012
Style: Blues/ Rock
Info: MP3 CBR 320 kbps
Info: USA
Time: Saguaro Road Records
????? Tracklist: 44:10
Info: 94 Mb
Tracklist:
01. I Don’t Need No Doctor (3:20)
02. Bring It On Home (4:06)
03. Roll Like a Big Wheel (2:50)
04. Game of Love (3:16)
05. Broken Wings (4:38)
06. Shoorah! Shoorah! (2:52)
07. I Want to Be Loved (3:35)
08. The Same Love That Made Me Laugh (4:25)
09. Shake Your Hips (3:29)
10. I’m Qualified (3:15)
11. Champagne and Wine (3:41)
12. Rhymes (4:43)
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CARPE NOTA – CARPE NOTA 2012
Fiery instrumental progressive rock with heavy keys, ripping guitar and dynamic rhythms combining classic elements of great prog and hard rock.
Band Carpe Nota
Info: Carpe Nota
Years: 2012
Info: USA
Style: Instrumental Progressive rock
Tracklist: Mp3 ~225kbps
Info: 113.96 MB
????????
1. Thoracic Park
2. Welcome to the Edge
3. Obsession
4. It Can’t Be So
5. Obsidian
6. Batovich
7. Bio-Freez
8. For All Time
??????
Dan Pluta – keys
Pete Rubinetti – guitars
Ken Sundling – bass, flute, bagpipes
Phil Derenbecher – drums, percussion
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Clare Free – Dust and Bones (2012)
Dust and Bones is the latest album by Clare Free.
The musicians that Clare Free assembled for the album are strong and include Dave Evans on bass, Matt Allen on 2nd guitar (Clare plays lead), and Pete Hedley on Drums. Clare’s vocals aren’t the greatest but she definitely shines when it comes down to songwriting.
The title track “Dust and Bones” is a mid tempo blues that shows a sassy side to Clare. The album is filled with unique and original song concepts that are apparent in songs such as “Little Miss Jealousy,” “Stronger Than You Think,” and “Creepy.”
Although the vocals can be a bit off putting at times, there is no doubt that Clare has a lot of potential. It will be exciting to follow her journey as she continues to write and release new music.
Band Clare Free
Info: Dust and Bones
Years: 2012
Style: Blues Rock
Info: MP3 CBR 256 kbps
Info: England
Time: Funky Mama Records
????? Tracklist: 41:30
Info: 94 Mb
Tracklist:
1. Can’t Slow Down
2. Dust And Bones
3. Little Miss Jealousy
4. Believe In Me
5. Stronger Than You Think
6. Small Miracles
7. Scars
8. Tempted
9. My Last Day
10. Creepy
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The Dogs D’Amour – In The Dynamite Jet Saloon MMX (2011)
The story of the Dogs D’Amour, for the benefit of our younger readers, is probably one of the saddest cases of a band who were world-beaters in their day fading into being (undeservedly) practically unknown. At the end of the ’80s, the Dogs were up there with the Quireboys as the twin titans of Britrock releasing a string of killer albums hewn from roughly the same influences (the Stones, the Faces and Mott the Hoople) which had them earning well-deserved good reviews everywhere from Kerrang! to the NME. Unfortunately, the twin pitfalls of grunge and a self-destructive streak so wide it made the Wildhearts look like Bon Jovi by comparison conspired to derail their career in the early ’90s and while Spike and co, their one-time peers, had the discipline to hold on through the hard times and climb back up the mountain to their current position of respected Britrock veterans able to command a healthy following in the 21st century, the Dogs have spent most of the decade since their last proper album, 1999?s “Happy Ever After”, not speaking to each other. Recent years have seen frontman Tyla touring and releasing albums (often patchy but all with moments of the old brilliance still intact) under the Dogs name with various helpers to ever-decreasing returns.
Anyway, on to 2011 (or rather 2010 – this album was actually recorded last year hence the name) and the Wolverhampton wanderer has opted to re-record the Dogs’ finest moment, their 1988 major label debut “In The Dynamite Jet Saloon”. And, given that the original version of that album tends to cost an arm and a leg from record collector scum these days, it leaves this as probably as good a place as any for those looking for an introduction to the music of the Dogs. The truth is, it isn’t actually a bad little album either in spite of my general suspicion of bands from this era’s “re-recorded” efforts. Okay so the tracklisting has been resequenced a bit with a few of the old songs dropped (the absence of “The Kid From Kensington” and “Heartbreak” is a bit disappointing) and some others from the same era (most of which were previously on the equally as good “(Un)Official Bootleg Album”) replacing them such as the rollicking bar room blues of “Swingin’ The Bottle”.
The key thing is that Tyla and his latest gang of sidekicks have actually done a pretty good job here of recapturing the original songs – T’s voice may now be quite a bit gruffer than it was in 1988 but somehow it adds a good authentic edge to the dark laments of “How Come It Never Rains?” and “Heroine” while the bar-room stomp of “Billy Two Rivers” and the swaggering “Last Bandit” still sound great all these years later.
Overall diagnosis? Well, it still hasn’t altered my opinion that I really wish Tyla and his fellow original Dogs Jo, Steve and Bam would try and mend whatever bridges were burned between them all those years ago (let’s be honest, life is too short for people who make such great music together to hold grudges like this) but this is a poignant reminder of what a great band the Dogs were and what a great songwriter Tyla is and he and his current line-up deserve credit for pulling off a decent job on something that could have been well south of disastrous. Listen to it with a bottle of JD to hand and sigh as you wonder what might have been for this lot with a bit more luck and judgment…
Tracklist:
1. Last Bandit
2. Sometimes
3. I Don’t Want You To Go (Acoustic Intro)
4. I Don’t Want You To Go
5. How Come It Never Rains
6. Everything I Want
7. Heroine
8. Billy Two Rivers
9. How Do You Fall In Love Again
10. State I’m In
11. In The Dynamite Jet Saloon
12. Swingin’ The Bottle
13. Wait Until I’m Dead
Line-Up:
Tyla – Vocals, Guitar
Timo Kaltio – Guitar
Gary Pennick – Guitar
Dave Tregunna – Bass Guitar
Danny Fury – Drums
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