The German Blues Project Blues in Germany – they tested it all, didn´t they? Meticulous copying – like spies in fear of decoding! – including practiced Louisiana drawls and cotton picker poses on one end of the spectrum, Germanic lyrics and beer-soaked hilarity on the other one. Hey: The German Blues Project guys can dissociate themselves from it all. Unimpressed and easy going, they fill the deep blue canvas their own way
Band Clas Yngstrom
Info: Fat Guitar
Info: Sweden
Style: Blues Rock
Years: 1996
Info: MP3 CBR 320 kbps
Info: 140 ?b
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???????????: Jeff Healey Band
??????: When The Night Comes Falling From The Sky
???: 1991
?????: Blues Rock
??????: mp3
????????: 320 kbps
??????: 124 mb
The full-length debut for the Alabama-based Southern soul-rock quartet was produced by the band.
01. Hold On
02. I Found You
03. Hang Loose
04. Rise To The Sun
05. You Ain’t Alone
06. Goin’ To The Party
07. Heartbreaker
08. Boys & Girls
09. Be Mine
10. I Ain’t The Same
11. On Your Way
12. Heavy Chevy (bonus)
Band Galleon
Info: Sweden
Info: From Land To Ocean
Style: Art Rock/Neo-Prog
Years: 2003
Info: Lossless/FLAC (image +.cue, scans)
Rip By: ppuuppss
Info: 406 Mb + 356 Mb
Band Lizard
Info: Rock ‘n’ Roll Refugees
Info: Germany
Style: Hard Rock/Southern Rock
Years: 1991
Info: MP3 CBR 320 kbps
Info: 100 ?b
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Band Danko Jones
Info: Rock And Roll Is Black And Blue
Info: Canada
Style: Hard Rock/Modern Rock
Years: 2012
Info: MP3 CBR 320 kbps
Info: 110 ?b
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About halfway through his band’s first new album in three years, Dave Matthews announces, “I’m too old to wanna be younger now.” It’s an apt summation of where his head’s at on this 11-song set, which reunites the Dave Matthews Band with original producer Steve Lillywhite for the first time since 1988 — not counting the aborted 2000 sessions whose songs later surfaced on 2002’s “Busted Stuff.”
After the more full-bodied and bombastic tone of 2009’s “Big Whiskey & the GrooGrux King,” “Away From the World” is more restrained, moody and subtle. It has its big footprint moments, of course, and there’s an audible ambition that gives the album a crackling if slow-burning energy. The album is also decidedly inward-looking: with a couple of ruminations about the world out large (such as first single “Mercy” and “Gaucho”), “Away From the World” focuses on love, relationships and parental responsibility, making it both musically and lyrically a kind of state of the DMB union. The band is as intriguing and adventurous now as it was when the Lillywhite-produced “Under the Table and Dreaming” came out 18 years ago.
Spaceaxers is the second album from Nightosaur, and is heavier, weirder, and even more epic than the first. Hear tales of a world clinging to the edge of madness, with dynamite sludge and dual-guitar hooks big enough to hang a side of T-Rex.
Spaceaxers is the second full length album from Minneapolis metal band Nightosaur. Featuring seven all new songs, this release is heavier, weirder, and even more epic than 2011’s debut, Black Blood of the Earth. With duelling lead guitars and an explosive rhythm section, Nightosaur draws inspiration from the prog-blues metal of early Judas Priest and Black Sabbath, the taut ferocity of Dio and Iron Maiden, and the brutal force of today’s sludgiest stoners. Spaceaxers expands on these roots and spins epic tales of a world on the edge of madness, with hooks big enough to hang a side of T-Rex. Recorded and mixed in four days in a South Minneapolis duplex, Spaceaxers manages to capture the intensity of Nightosaur’s relentless live show. Within are epic stories of doomed polar explorers, lost love avenged, and salvation by fire from the stars. The album’s centerpiece “There May Be Dragons” is a thunderous rallying cry to embrace the monsters within us all, and to join Nightosaur in their conquest of all that is heavy.