Berliner Philharmoniker – Elgar, Ligeti, Stravinsky, Wagner (2016) BDRip 1080p

Genre: Classical | Label: EuroArts Music International | Year: 2016 | Quality: BDRip 1080p | Video: MPEG4 Video (H264) 1920×1080 29.97fps 13.2 Mbps | Audio: DTS-HD MA 5.1 / 48 kHz / 4128 kbps / 24-bit | Time: 01:28:19 | Size: 9,33GB

[u]Tracklist:[/u]
1. Opening 00:35
Gyorgy Ligeti (1923-2006)
2. Atmospheres 08:47
Richard Wagner (1813-1883)
3. Prelude to Act 1 of the opera Lohengrin 10:51
Edward Elgar (1857-1934)
Cello Concerto in E minor, Op. 85
4. Adagio – Moderato 08:35
5. Lento – Allegro molto 04:32
6. Adagio 05:01
7. Allegro – Moderato – Allegro, ma non-troppo 13:01
Igor Stravinsky (1882-1971)
Le Sacre du Printemps
8. L`Adoration de la terre 16:18
9. Le Sacrifice 18:30
10. Applause & End Credits 02:00{CVAL_traks}

Conductor: Sir Simon Rattle
Artist: Sol Gabetta, cello; Berliner Philharmoniker

• The Argentinian cellist Sol Gabetta made her Philharmoniker debut at the 2014 Easter Festival in Baden-Baden with Edward Elgar’s Cello Concerto, the final great work of the composer. “Sol Gabetta’s Elgar Concerto is one of the best around, a heartfelt, tonally rounded performance.” (Gramophone ). The orchestra and conductor also performed the prelude to Wagner’s Lohengrin, Gyorgy Ligeti’s orchestral piece Atmospheres and Igor Stravinsky’s Le Sacre du Printemps, a work which is entirely focused on the future and pushes the boundaries of classical music in terms of sound, rhythm and energy.
• Sir Simon Rattle and the Berliner Philharmoniker contrasted the prelude to Wagner’s Lohengrin and Gyorgy Ligeti’s orchestral piece Atmospheres perfectly, demonstrating that they both employ different styles to pursue a similar objective – an iridescent, otherworldly sound.
• Star cellist Sol Gabetta gave an outstanding interpretation of Elgar’s Cello Concerto: the final great work of the composer, full of melancholy and a sense of farewell.
• In contrast to Elgar, Igor Stravinsky’s Le Sacre du Printemps is focused on the future. In their previous performances, the Berliner Philharmoniker and Simon Rattle have shown that this work, despite its inherent modernity, also provides a wealth of sensual pleasure. “The musicians breezed through the Sacre with ridiculous virtuosity, as laid-back as if it were a mambo on a dance floor on a Caribbean beach.”

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