DIE VORBOTEN – EXISTENZ 2012
now/germany
With their new album to be the harbingers emphasizes politically and socially. This helps a little but if the type of presentation so unconvincing acts like here. Really do not want to blend it all – a pinch of German rock and punk-Räudigkeit here, something Rammstein Esker pathos there, the whole thing is constricted in a corset made staccato played like standard metal riffs and nursery tunes.
The singing style of frontman Karsten Palitschka is held stressed affected and more than generous with expletives. One can certainly draw parallels with the choleric attacks one Klaus Kinski, but you can also find easy, that it is incredibly annoying. The individual pieces are different from each other hardly, everything seemed abundant uniform and somehow unspectacular.
Technically game shows “existence” a solid implementation of the band’s own requirements, but also benefiting from the abundant simple basic structures. The excessive use of electronic effects and synth sounds like it also belong to the concept, watered the crisp base hardness but massively. The result is equally scattered singing as undemanding pieces that provide neither a homogeneous overall picture, build more effectively some form of stress.
There may be people who can use this concoction to start something in my ears, but it is a so nerve-annoyance that I did not even feel the desire to take a look at the all buyers free throw is available online for bonus material.
1. Regelwerk
2. Monotony
3. Schneller
4. Existenz
5. Massenmedien
6. Menschenfresser
7. Zum Meer
8. Ein Funke
9. Ehrgeiz
10. Krautsinfonie Cis-Moll Op.2 (KV 14)
11. Schuld
12. Schlachtbank
13. Trägheitszeit
14. Jung und Alt
DIE VORBOTEN – EXISTENZ 2012